Submarine Channel



Immersive Journalism (3)

Is Immersive Content the Future of Journalism? III

Is Immersive Content the Future of Journalism? II

Is Immersion the Future of Journalism? I

Articles (20)

Tenet – The interactive review

“Venice will come to you” – An interview with Michel Reilhac and Liz Rosenthal, curators of Venice VR 2020

How to watch the VR projects of the Venice Film Festival 2020

Your definitive guide to Venice VR 2020 – Everything you need to know

Waiting for Tenet: The Most Creative Meditations on Time in the History of Cinema

How to imagine the future with “what if” stories

What are we reading/watching/playing/listening to this summer? 2020 Edition

Interactive television: Old, tiring gimmick or future of the medium? You choose

Remote Storytelling: When A Computer Screen Is The Only Set You’ve Got

How animation studios and artists work their magic on TikTok

Social Life On Planet Minecraft

Meet 14 Upcoming Talents: Playgrounds 2019

5 Ways Artificial Intelligence is Already Changing Cinema

Meet 8 Young Talents @ Kaboom Animation Festival 2019

What are we reading/watching/playing this winter?

What Are We Reading/Watching/Playing This Summer?

Venice VR 2019: An Overview

High expectations for Venice VR 2018

Event report: ‘The Weed Experiment’

Venice dedicates entire island to VR (2017)

Interviews (5)

Srebrenica Today: A Town Ruled By Animals

The Art of Kangaroo and Chocolate: An Interview with Adam Curtis

The Holodeck Reloaded – Janet Murray talks VR, AR and why she’s so good at predicting things

William Maher author of Ascent from Akeron

Interview with Han Hoogerbrugge